Perspective Tilt

The camera pivots up or down on a fixed spot; unlike a pedestal, the camera body does not rise or fall.

This is for a motion graphics video. In [scene], move the camera with a "Tilt" (also called tilting or pitch): it pivots up or down on the spot.
Everything in the frame should slide vertically together at the same speed, with no depth shift between near and far layers — that is what separates it from a pedestal.
Run it over [duration], and ease into and out of the move so it does not start or stop abruptly.

Paragraphs of text scroll up and tilt back in perspective, shrinking toward a vanishing point; distinct from Credit Roll, which stays flat.

This is for a motion graphics video. Open [scene] with a "Title Crawl" (also called an opening crawl, roll-up or scrolling typography): paragraphs of text scroll up while tilted back in perspective, shrinking toward a vanishing point.
Lay the text on a plane that leans away from the viewer, so lines enter large at the bottom and fade out small in the distance — unlike a credit roll, which stays flat and the same size all the way up.
Run it over [duration] at a steady pace, slow enough that each line can be read before it recedes.

Captions appear one word or short phrase at a time, each popping in as spoken and replacing the last.

This is for a motion graphics video. Caption [scene] with "Pop Captions" (also called build captions or word-by-word captions): show one word or short phrase at a time, each popping in as it is spoken and replacing the last.
Keep every word in the same spot so the eye never has to travel — unlike karaoke captions, the full sentence is never on screen at once. Give each word a quick scale-up with a slight overshoot.
Time the words to the speech across [duration], and keep them large, bold and clear of the subject.

An element scales up from zero with a slight overshoot and settles; the energetic arrival used for words and shapes alike.

This is for a motion graphics video. In [scene], bring an element on with a "Pop-In" (also called a scale pop, pop, text pop or line pop): it scales up from nothing, overshoots slightly and settles at full size.
Scale it from its own center, in place, and keep the overshoot small so it reads as a springy arrival — nothing flies or slides in from elsewhere. Use the same move for a word, a shape or a line; a line pops along its length.
Fit each pop into [duration], fast out of the gate and quick to settle, and stagger several elements so they arrive one after another.

Many lines of text, comments or raw data cascade, scroll or rain across the screen as a texture.

This is for a motion graphics video. Fill [scene] with "Streaming Text" (also called text rain or a data cascade): many lines of text, comments or raw data pour across the screen and read as a moving texture.
Layer lines of different sizes moving at different speeds so the field has depth, and never pause on any single line — nobody is meant to read it, only to feel the volume.
Run it for [duration] at a steady flow, and keep it dim enough to sit behind whatever is in front.