Easing

Slow start, fast middle, slow stop; differs from Ease Out by also accelerating gently at the start.

This is for a motion graphics video. Animate the move in [scene] with an "Ease In-Out" (also called easy ease, or slow in and slow out): it starts slowly, is fastest through the middle, and slows to a soft stop.
Both ends should be gentle — unlike an ease out, which starts at full speed and only softens the stop.
Fit the move into [duration], and pick a stronger curve if the middle should feel like a quick snap between two rests.

Oscillates around the target several times with fading amplitude, like a stretched rubber band let go; more wobbles than Overshoot.

This is for a motion graphics video. Animate the move in [scene] with "Elastic" easing (also called an elastic ease or elastic out): the object snaps to its target and wobbles back and forth around it, each swing smaller, like a stretched rubber band let go.
It should cross the target several times — an overshoot passes it only once, and a bounce never passes it at all.
Fit the move and the wobble into [duration], and let the wobble die out fully before the end.

A real movement pushed to more extreme scale or timing than realism; visible only as an intensity choice against a realistic version.

This is for a motion graphics video. Animate [scene] with "Exaggeration": take the movement as it would really happen and push it further — a bigger wind-up, a longer stretch, a harder stop.
It is the same action with the intensity turned up, not a different one: keep the path and the order of events, and enlarge how far and how sharply each of them goes.
Fit it into [duration], and stop just short of the point where the object is no longer recognizable — it should feel cartoony and playful, not broken.

Loosely attached parts keep moving or trail behind after the main body stops or starts, so parts do not all move and stop together.

This is for a motion graphics video. Animate [scene] with "Follow Through and Overlapping Action" (also called drag or lag): the loosely attached parts trail behind when the main body sets off, and keep going, swing past and settle after it has stopped.
The parts must not all move and stop together. They are passive — pulled along by the body — unlike a secondary action, which is a small separate gesture playing alongside the main one.
Fit the move and the settling into [duration], and let longer or lighter parts lag further and take longer to come to rest.