Ease In-Out

Starts fast and decelerates to a soft stop; the object arrives already moving and settles gently, opposite of Ease In.

This is for a motion graphics video. Animate the move in [scene] with an "Ease Out" (also called slow out, or decelerating): it starts at full speed and slows down steadily into a soft stop.
Do not soften the start — the object should already be moving when it appears, unlike an ease in-out, which also builds up speed gently.
Fit the move into [duration]; it suits an element entering the frame and settling into place.

Not a single look but the idea that speed changes over a move; compare with Linear to see eased motion feel natural instead of mechanical.

This is for a motion graphics video. Give every move in [scene] "Easing" (also called a timing curve or speed curve): let the speed change over the course of each move instead of staying constant.
Constant-speed (linear) motion looks mechanical; eased motion gathers speed and slows down the way real things do — ease out for things arriving, ease in for things leaving, ease in-out for moves that stay on screen.
Keep each move within [duration], and use the same family of curves throughout so the piece feels consistent.

Oscillates around the target several times with fading amplitude, like a stretched rubber band let go; more wobbles than Overshoot.

This is for a motion graphics video. Animate the move in [scene] with "Elastic" easing (also called an elastic ease or elastic out): the object snaps to its target and wobbles back and forth around it, each swing smaller, like a stretched rubber band let go.
It should cross the target several times — an overshoot passes it only once, and a bounce never passes it at all.
Fit the move and the wobble into [duration], and let the wobble die out fully before the end.