Ease Out

Starts slowly and accelerates toward the end, so the object leaves at full speed; opposite of Ease Out.

This is for a motion graphics video. Animate the move in [scene] with an "Ease In" (also called slow in, or accelerating): it starts slowly and keeps speeding up, so the object is at full speed when the move ends.
Do not soften the end — that is an ease out, the opposite curve, which starts fast and settles gently.
Fit the move into [duration]; it suits an object leaving the frame, since it is never seen stopping.

Slow start, fast middle, slow stop; differs from Ease Out by also accelerating gently at the start.

This is for a motion graphics video. Animate the move in [scene] with an "Ease In-Out" (also called easy ease, or slow in and slow out): it starts slowly, is fastest through the middle, and slows to a soft stop.
Both ends should be gentle — unlike an ease out, which starts at full speed and only softens the stop.
Fit the move into [duration], and pick a stronger curve if the middle should feel like a quick snap between two rests.

Not a single look but the idea that speed changes over a move; compare with Linear to see eased motion feel natural instead of mechanical.

This is for a motion graphics video. Give every move in [scene] "Easing" (also called a timing curve or speed curve): let the speed change over the course of each move instead of staying constant.
Constant-speed (linear) motion looks mechanical; eased motion gathers speed and slows down the way real things do — ease out for things arriving, ease in for things leaving, ease in-out for moves that stay on screen.
Keep each move within [duration], and use the same family of curves throughout so the piece feels consistent.

Oscillates around the target several times with fading amplitude, like a stretched rubber band let go; more wobbles than Overshoot.

This is for a motion graphics video. Animate the move in [scene] with "Elastic" easing (also called an elastic ease or elastic out): the object snaps to its target and wobbles back and forth around it, each swing smaller, like a stretched rubber band let go.
It should cross the target several times — an overshoot passes it only once, and a bounce never passes it at all.
Fit the move and the wobble into [duration], and let the wobble die out fully before the end.

A real movement pushed to more extreme scale or timing than realism; visible only as an intensity choice against a realistic version.

This is for a motion graphics video. Animate [scene] with "Exaggeration": take the movement as it would really happen and push it further — a bigger wind-up, a longer stretch, a harder stop.
It is the same action with the intensity turned up, not a different one: keep the path and the order of events, and enlarge how far and how sharply each of them goes.
Fit it into [duration], and stop just short of the point where the object is no longer recognizable — it should feel cartoony and playful, not broken.