Line Boil

Randomized small offsets at a set frequency and amplitude make the object tremble or drift irregularly rather than along a designed path.

This is for a motion graphics video. Add a "Wiggle" (also called jitter or a random shake) to the element in [scene]: it keeps straying from its place by small random amounts, at a steady rate and within a steady range.
The offsets must be irregular — an even side-to-side swing is a shake, not a wiggle — and only this element moves, not the whole frame as with a handheld camera.
Keep it going for [duration], wiggling its position — or its rotation or scale instead, if that suits the element better.

Shapes and text stretch, ripple and flow like water with smooth wobbling edges; distinct from Blob Morph because it warps real artwork rather than a standalone shape.

This is for a motion graphics video. In [scene], animate the artwork with "Liquid Motion" (also called liquid animation, fluid motion or fluid simulation): the shapes and text stretch, ripple and flow like water, with smooth wobbling edges.
Warp the actual artwork rather than a separate blob — let each part squash and stretch as if it had volume, throw off drops that fall back and merge, and cling to its neighbors for a moment when they touch.
Play it over [duration], and let the wobble die down gradually until the artwork is sharp and still again.

The object passes its target slightly and then returns to it; differs from Bounce in that it makes one pass and settles without hitting a floor.

This is for a motion graphics video. End the move in [scene] with an "Overshoot" (also called a back ease or back out): the object runs slightly past its target, then comes back and settles on it.
It should pass the target only once, with no wobble afterwards — a bounce hits the target and rebounds without passing it, and an elastic ease swings past it several times.
Fit the move into [duration], and keep the overshoot small so it reads as energy rather than a mistake.

The motion plays forward then in reverse repeatedly; differs from Cycle Loop by not jumping back to the start.

This is for a motion graphics video. Repeat the motion in [scene] as a "Ping-Pong Loop" (also called a yoyo or boomerang): it plays forward to the end, then plays in reverse back to the start, and keeps going back and forth.
It should never jump — a cycle loop snaps back to the first frame and restarts, while this one retraces its own path.
Keep it going for [duration], with a soft turn at each end so the change of direction feels like breathing rather than hitting a wall.

A smaller supporting motion plays alongside the main one to add life without stealing focus.

This is for a motion graphics video. Add a "Secondary Action" to the main motion in [scene]: a smaller supporting movement that plays alongside it — a small accent, a blink, a flick — to give it more life.
It is a little gesture of its own, not a loose part dragged along behind the body (that is follow through), and it must never pull attention away from the main action.
Fit both into [duration], and let the small movement begin and end inside the main one.