Line Burst

A circle or ring expands quickly from a point and fades, adding an accent behind an arriving element.

This is for a motion graphics video. In [scene], accent an arriving element with a "Circle Burst" (also called a circle pop or ring burst): a ring expands quickly from the element's center and fades away behind it.
Let the ring thin out as it grows and be gone by the time the element has settled — unlike a line burst, the accent is one closed ring, not separate strokes shooting outward.
Fit it into [duration], fast at the start and easing out, and fire it at the moment the element appears.

A chart line is drawn along its data points from left to right, markers popping at each point.

This is for a motion graphics video. In [scene], show a trend with a "Line Chart Draw" (also called a line graph draw-on): the chart line draws itself from left to right along its data points, and a marker pops in at each point as the line reaches it.
Keep the axes and gridlines still and already in place, so only the line and its markers move — unlike a map route, nothing travels along the line; each marker stays on its own data point.
Draw it over [duration] at a steady pace, and time each marker's pop to the moment the line arrives.

Shapes and text stretch, ripple and flow like water with smooth wobbling edges; distinct from Blob Morph because it warps real artwork rather than a standalone shape.

This is for a motion graphics video. In [scene], animate the artwork with "Liquid Motion" (also called liquid animation, fluid motion or fluid simulation): the shapes and text stretch, ripple and flow like water, with smooth wobbling edges.
Warp the actual artwork rather than a separate blob — let each part squash and stretch as if it had volume, throw off drops that fall back and merge, and cling to its neighbors for a moment when they touch.
Play it over [duration], and let the wobble die down gradually until the artwork is sharp and still again.

Elements fly or drift in and converge to resolve into the final logo; distinct from a plain reveal because the logo is assembled at the end of the movement.

This is for a motion graphics video. Bring the logo into [scene] with a "Logo Resolve": separate elements fly or drift in from different places and converge until they lock together as the finished logo.
Keep the logo unreadable until the very end — unlike a plain logo reveal, where the mark is uncovered in place, here it only exists once the last piece has arrived. Start the pieces scattered, turned and at different sizes, and stagger their arrivals.
Spend most of [duration] on the convergence, then let the assembled logo settle and hold.