Squash and Stretch

A real movement pushed to more extreme scale or timing than realism; visible only as an intensity choice against a realistic version.

This is for a motion graphics video. Animate [scene] with "Exaggeration": take the movement as it would really happen and push it further — a bigger wind-up, a longer stretch, a harder stop.
It is the same action with the intensity turned up, not a different one: keep the path and the order of events, and enlarge how far and how sharply each of them goes.
Fit it into [duration], and stop just short of the point where the object is no longer recognizable — it should feel cartoony and playful, not broken.

The value jumps in discrete steps (or once, for a hold) instead of moving smoothly; a hold is one instant snap that then stays put.

This is for a motion graphics video. Animate the change in [scene] with "Steps" (also called a stepped ease or hold keyframes): the value jumps from one position to the next in a few discrete steps and stays still in between, with no smooth in-between motion.
For a hold, make it a single jump — the object stays put, snaps to the new value in one instant and stays there. These are a few deliberate jumps, not the fine frame-by-frame choppiness of animating on twos.
Spread the jumps evenly over [duration].

Randomized small offsets at a set frequency and amplitude make the object tremble or drift irregularly rather than along a designed path.

This is for a motion graphics video. Add a "Wiggle" (also called jitter or a random shake) to the element in [scene]: it keeps straying from its place by small random amounts, at a steady rate and within a steady range.
The offsets must be irregular — an even side-to-side swing is a shake, not a wiggle — and only this element moves, not the whole frame as with a handheld camera.
Keep it going for [duration], wiggling its position — or its rotation or scale instead, if that suits the element better.

The pose updates only every 2 or 3 frames, giving a choppier hand-drawn rhythm than every-frame (ones) motion.

This is for a motion graphics video. Animate [scene] by "Animating on Twos" (also called on twos or held frames): hold each pose for two frames, so the picture updates half as often as the video plays.
The motion should keep its path and overall speed but advance in small, even jerks, like hand-drawn or stop-motion animation — not a few big jumps with long pauses, which would be a stepped ease.
Keep it up for [duration], and hold each pose one frame longer (on threes) if it should feel choppier still.