Speed Ramp

Action plays back at a constant speed slower than real time so detail and weight become visible; differs from Speed Ramp in that the speed does not change.

This is for a motion graphics video. Play [scene] in "Slow Motion" (also called slo-mo or overcranking).
Hold one constant speed, slower than real time, from the first frame to the last so weight and detail become visible — if the speed changes partway through, that is a speed ramp.
Stretch the moment across [duration], and keep the motion smooth with no stutter between frames.

Footage plays back at a constant speed faster than real time so movement looks hurried or comic; unlike Time-Lapse it is just sped-up continuous footage, not frames sampled at long intervals.

This is for a motion graphics video. Play [scene] in "Fast Motion" (also called undercranking).
Run the continuous footage at one constant speed, faster than real time, so the action looks hurried and a little comic but still flows smoothly — a time-lapse would skip long gaps between frames instead.
Fit the whole action into [duration] without changing speed along the way.

The frame is divided into two or more panels that show simultaneous actions or viewpoints, optionally animating the dividers in or out.

This is for a motion graphics video. Show [scene] as a "Split Screen": the frame is divided into panels, each playing its own picture at the same time.
Every panel should hold a different action or viewpoint and keep moving, with clean dividers between them and no picture covering another — a small window floating over one full-frame picture would be picture-in-picture.
Over [duration], slide the dividers in to split the frame, then let the panels play side by side.

Movement advances in visible jerky steps at a low frame rate (e.g. 8-12 per second), imitating frame-by-frame photographed animation.

This is for a motion graphics video. Give [scene] a "Stop Motion Look" (also called stepped animation or the posterize time look).
The movement should advance in visible, jerky steps at a low frame rate, each pose held for a moment as if it were photographed one frame at a time — the picture stays on throughout, unlike a strobe.
Run it over [duration] at its normal pace, keeping the same choppy rhythm from start to finish.

The picture appears as rapid on/off flashes so motion looks frozen into discrete jerky poses (or wheels seem to stand still or spin backwards).

This is for a motion graphics video. Add a "Strobe Effect" (also called a stroboscopic effect) to [scene]: the moving subject shows only in rapid on/off flashes.
Each flash should catch the motion frozen in a separate pose, with nothing of it visible in between — a stop motion look keeps the picture on and only lowers the frame rate.
Run it over [duration], and keep the flashing gentle and confined to the subject so it never turns into a harsh full-screen flicker.