Slow Motion

Footage plays back at a constant speed faster than real time so movement looks hurried or comic; unlike Time-Lapse it is just sped-up continuous footage, not frames sampled at long intervals.

This is for a motion graphics video. Play [scene] in "Fast Motion" (also called undercranking).
Run the continuous footage at one constant speed, faster than real time, so the action looks hurried and a little comic but still flows smoothly — a time-lapse would skip long gaps between frames instead.
Fit the whole action into [duration] without changing speed along the way.

Playback speed glides smoothly between very different speeds inside one shot (e.g. slow, then a sudden rush, then slow again), unlike slow motion or fast motion which hold one constant speed.

This is for a motion graphics video. Apply a "Speed Ramp" (also called speed ramping or time remapping) to [scene].
Start slow, surge to fast through the middle, then settle back to slow, changing speed smoothly rather than in steps.
Fit it into [duration], and put the fast stretch on the part you want to rush through so the slow parts land on what the viewer should notice.

The frame is divided into two or more panels that show simultaneous actions or viewpoints, optionally animating the dividers in or out.

This is for a motion graphics video. Show [scene] as a "Split Screen": the frame is divided into panels, each playing its own picture at the same time.
Every panel should hold a different action or viewpoint and keep moving, with clean dividers between them and no picture covering another — a small window floating over one full-frame picture would be picture-in-picture.
Over [duration], slide the dividers in to split the frame, then let the panels play side by side.

Movement advances in visible jerky steps at a low frame rate (e.g. 8-12 per second), imitating frame-by-frame photographed animation.

This is for a motion graphics video. Give [scene] a "Stop Motion Look" (also called stepped animation or the posterize time look).
The movement should advance in visible, jerky steps at a low frame rate, each pose held for a moment as if it were photographed one frame at a time — the picture stays on throughout, unlike a strobe.
Run it over [duration] at its normal pace, keeping the same choppy rhythm from start to finish.