Lower Third

A line extends from a point of interest to a label or box that pops in, pointing out part of the picture; distinct from Lower Third because it targets a spot inside the image.

This is for a motion graphics video. Add a "Callout" (also called a callout line or a sketch callout) to [scene]: a line extends from a point of interest in the picture to a label that pops in at its end.
Anchor the line on the exact spot it is about, draw the line first and bring the label in after — unlike a lower third, which sits in a fixed strip at the bottom, a callout points at something inside the image. For a sketch version, draw a ring around the spot and the line as if by hand.
Play it over [duration], keep the line thin so it does not hide the picture, and hold the label long enough to read.

A line draws itself along a route between places on a map while a marker travels along it.

This is for a motion graphics video. In [scene], trace a journey with a "Map Route" (also called a map route animation or travel route): a line draws itself along the route between two places on a map while a marker travels along it.
Keep the marker on the leading tip of the line and turn it to face the way it is heading through every bend — unlike a line chart draw, there are no axes or data points, just one traveler moving from place to place.
Run the trip over [duration], easing out of the start and into the arrival, and mark the destination when the marker gets there.

A flat layer such as a screen or card is tilted back in 3D so it recedes toward one edge and gains depth; the layer tilts, not the camera.

This is for a motion graphics video. In [scene], give a flat screen or card a "Perspective Tilt": it leans back in 3D so one edge recedes into the distance and the layer gains depth.
Tilt the layer itself and leave everything behind it exactly where it is — unlike a camera tilt, the rest of the picture must not move. Let the far edge shrink and the near edge grow so the perspective reads clearly.
Ease the tilt in and out over [duration], and stop at an angle where the content on the layer is still readable.

Captions appear one word or short phrase at a time, each popping in as spoken and replacing the last.

This is for a motion graphics video. Caption [scene] with "Pop Captions" (also called build captions or word-by-word captions): show one word or short phrase at a time, each popping in as it is spoken and replacing the last.
Keep every word in the same spot so the eye never has to travel — unlike karaoke captions, the full sentence is never on screen at once. Give each word a quick scale-up with a slight overshoot.
Time the words to the speech across [duration], and keep them large, bold and clear of the subject.