Picture-in-Picture

The frame is divided into two or more panels that show simultaneous actions or viewpoints, optionally animating the dividers in or out.

This is for a motion graphics video. Show [scene] as a "Split Screen": the frame is divided into panels, each playing its own picture at the same time.
Every panel should hold a different action or viewpoint and keep moving, with clean dividers between them and no picture covering another — a small window floating over one full-frame picture would be picture-in-picture.
Over [duration], slide the dividers in to split the frame, then let the panels play side by side.

The image is broken into large visible squares; animating the block size makes it resolve into or dissolve out of coarse pixels. Static pixelation alone is the censor-mosaic look.

This is for a motion graphics video. "Pixelate" [scene] (also called a mosaic or pixelation): break the picture into a grid of large flat squares, each filled with the single colour of what lies under it.
Animate the block size in clear steps — let the sharp picture dissolve into coarse blocks, hold there while the footage keeps playing underneath, then resolve back to sharp. Held at one block size with no change, it is only a censor mosaic.
Run the whole effect over [duration], and keep the squares aligned to one fixed grid so they do not swim.

Footage plays backwards so broken things reassemble and movements undo themselves.

This is for a motion graphics video. Play [scene] in "Reverse Motion" (also called reverse or reverse action): the footage runs backwards.
Every movement should undo itself along exactly the path it took — what fell rises again, what scattered comes back together — at the pace it originally happened.
Fit it into [duration], and add no easing of your own so it reads as time rewinding rather than a new move.

The red, green and blue channels are offset so colored fringes appear on edges, often pulsing or snapping on hits; borrowed from a lens defect and used as a style.

This is for a motion graphics video. Add an "RGB Split" (also called chromatic aberration, color fringing or a channel split) to [scene]: slide the colour channels apart sideways so every edge picks up a coloured fringe on each side.
That is the whole effect — the picture itself stays intact and in place. Nothing tears, jumps or breaks into blocks, which would make it a full glitch.
Over [duration], snap the channels apart on each hit and let them drift back together, ending perfectly aligned.