Snorricam

The camera travels with a moving subject from behind, in front or alongside, keeping a steady distance while the background streams past.

This is for a motion graphics video. In [scene], move the camera with a "Tracking Shot" (also called a follow shot or travelling shot): the camera travels along with a moving subject.
The subject should keep its place and size in the frame while the surroundings stream past, near layers faster than far ones — in a truck, the subject slides across the frame with everything else.
Run it over [duration] at a steady pace that matches the subject, staying the same distance from it.

A stabilized operator-carried move that glides and floats through space without handheld shake.

This is for a motion graphics video. In [scene], move the camera with a "Steadicam Shot" (also called a gimbal shot or glide cam): an operator carries it through the space on a stabilizer.
The move should glide and float with no shake at all, free to curve around things as it travels — a handheld shot along the same path would tremble, and a dolly would keep to a straight track.
Run it over [duration] as one long, smooth, unbroken move.

The camera pivots up or down on a fixed spot; unlike a pedestal, the camera body does not rise or fall.

This is for a motion graphics video. In [scene], move the camera with a "Tilt" (also called tilting or pitch): it pivots up or down on the spot.
Everything in the frame should slide vertically together at the same speed, with no depth shift between near and far layers — that is what separates it from a pedestal.
Run it over [duration], and ease into and out of the move so it does not start or stop abruptly.