Match Cut

The next shot appears through a grid of tiles or patterned cells that flip in a set or random order.

This is for a motion graphics video. Join two shots in [scene] with a "Matrix Wipe" (also called a checkerboard, checker wipe or random blocks): split the frame into a grid of tiles and flip them to the next shot one after another.
Each tile shows its own piece of the new shot so the full picture assembles in place — use a checkerboard order for a patterned look or a random order for a glitchy one, and keep both shots still underneath.
Run the transition over [duration], with every tile flipping quickly and the flips spread evenly across the time.

A run of many short shots in quick succession that compresses time or information into a few seconds.

This is for a motion graphics video. Build [scene] as a "Montage" (also called rapid cuts or dynamic cutting): a run of many short shots in quick succession.
Give every shot a different image and only a moment on screen, joined by plain cuts, so together they compress a long stretch of time — unlike a cross-cut, the shots do not alternate between two fixed actions.
Fit the whole run into [duration], and keep the cutting rhythm steady and on the beat.

A foreground object, such as a wall, a person or a passing vehicle, crosses the lens and hides the cut to the next shot.

This is for a motion graphics video. Join two shots in [scene] with a "Natural Wipe" (also called frame blocking or an invisible wipe): a foreground object passes right in front of the lens and the next shot is already there behind it.
Keep the changeover hidden under the object the whole way across, so the object itself seems to wipe the old shot off — unlike a plain wipe there is no drawn edge, and unlike an invisible cut the viewer is meant to see that the scene has changed.
Run the pass over [duration], with the object moving at a steady, natural speed.