Flash Cut

A shot that briefly leaves the main action to show something else, then returns to the original shot.

This is for a motion graphics video. Add a "Cutaway" to [scene]: cut briefly from the main action to a shot of something else, then cut back to the original shot.
Keep the main action running underneath so it has moved on when we return — unlike a cross-cut, the second shot appears once and is not a storyline of its own.
Fit it into [duration], and keep the cutaway shorter than the pieces of the main shot around it.

One shot is instantly replaced by the next with no optical effect; the baseline every other transition is compared against.

This is for a motion graphics video. Join the shots in [scene] with a "Hard Cut" (also called a cut or direct cut): one shot is replaced by the next instantly.
Put no fade, wipe or any other effect on the cut — unlike a smash cut it is not meant to shock, it is just the plain shot change.
Fit the shots into [duration], and place the cut on a beat or a finished movement so it passes unnoticed.

A cut disguised so the viewer does not notice it, often hidden behind a dark object or camera move to fake one continuous take.

This is for a motion graphics video. Hide the join between two takes in [scene] with an "Invisible Cut": disguise the cut so the footage plays as one continuous take.
Let a dark object fill the frame while the camera keeps moving, cut in that moment, and pick up the same movement at the same speed on the other side — unlike a natural wipe, the viewer should not notice that anything changed.
Fit both takes into [duration], and keep the camera speed steady through the hidden cut.

A cut within the same framing that skips a slice of time, so the subject visibly jumps in position while the camera stays put.

This is for a motion graphics video. Edit [scene] with a "Jump Cut": cut forward in time within the same shot.
Keep the camera and framing unchanged and let the subject snap to a later position at each cut, with no transition between the pieces.
Fit the sequence into [duration], and place the cuts on beats so the jumps read as deliberate rather than as glitches.