Bloom / Glow

Soft warm washes of orange, red or magenta light bloom in from the frame edges and drift or flicker, imitating stray light hitting film; unlike Lens Flare it has no rings or starbursts.

This is for a motion graphics video. Lay a "Light Leak" (also called a film burn) over [scene]: a soft, warm wash of orange, red or magenta light that blooms in from the edge of the frame, as if stray light had reached the film.
Keep it shapeless and blurry, attached to the frame rather than to anything in the picture, with no rings, streaks or starbursts — those belong to a lens flare. The footage keeps playing underneath.
Over [duration], let it swell in from one edge, drift a little, and fade away again.

Time appears nearly stopped while the viewpoint sweeps around the frozen action; unlike Freeze Frame the camera keeps moving.

This is for a motion graphics video. In [scene], use "Bullet Time" (also called a time slice or frozen moment): at the peak of the action time all but stops while the camera sweeps around the subject.
The subject should hang almost motionless while near and far layers slide past each other as the viewpoint travels — if the camera stops too, it is only a freeze frame.
Give the whole beat [duration]: hit the stop abruptly, then keep the sweep smooth and steady.

A still photograph in which only one element moves in a seamless loop, so the rest of the frame stays frozen.

This is for a motion graphics video. Turn [scene] into a "Cinemagraph" (also called a video snapshot): a still photograph in which only one element keeps moving.
Hold everything else perfectly frozen and let that single element repeat in a seamless loop, with no visible jump where it starts over — if nothing moves at all, it is only a freeze frame.
Let the loop run for [duration], and pick a small, naturally repeating motion so the stillness around it stands out.

Video compression is exploited (I-frames removed) so the next clip's motion drags and melts the pixels of the one before it, producing smeared, bleeding blocks.

This is for a motion graphics video. At the cut between the two shots in [scene], use a "Datamosh" (also called datamoshing): instead of switching cleanly, let the old picture stay on screen and be pushed around by the motion of the new shot, as if the compressed video had lost its keyframe.
The leftover image should smear and bleed in blocks along the direction things move, melting away piece by piece until the new shot is fully there — a slow melt at a cut, unlike a glitch, which tears for an instant and snaps back.
Let the melt play out over [duration], then leave the new shot clean.